Mésange are an instrumental duo formed by contemporary violinist Agathe Max (Kuro), originally from Lyon, France, and guitarist Luke Mawdsley (Cavalier Song) from Liverpool. Two years after the release of[ . . . ]
Haress – Haress [album review]
Formed by David Hand and Elizabeth Still from Bishop’s Castle in Shropshire, Haress are a guitar duo drawing freely from blues, folk and drone musical traditions in order to create[ . . . ]
Kogumaza – Fugues [review]
Kogumaza, instrumental outfit from Nottingham celebrating their 10th anniversary this year, have just announced the release of their third album, a double LP titled Fugues. Officially out on 19th March[ . . . ]
Roma – Beauty on the Outside
There are films whose universal critical approval can only be explained with the stifling power of canonical thinking. A given work is regarded a masterpiece on the basis of a[ . . . ]
The Old Man & the Gun
Robert Redford chose to end his acting career with a remarkable performance in a role which suits him like no other. Having read The New Yorker piece by David Grann[ . . . ]
Neurotic Fiction
Neurotic Fiction, a south-western outfit consisting of Jessie Pfundner, Livi Sinclair, Rory Matthews and Sean Langdon-Dark, have just released their debut album on the Bristol label Specialist Subject Records. It[ . . . ]
Wildlife
Paul Dano, talented actor acclaimed for his remarkable performance in Paul Thomas Anderson’s tour de force There Will Be Blood and a successful collaboration with a variety of auteurs, including Richard Linklater, Paolo[ . . . ]
Grey Hairs
No feeling compares to the excitement of discovering a new outstanding band. Especially if it happens in a live context, and you are caught unprepared, wide-eyed and stupefied by the[ . . . ]
First Man
Damien Chazelle, previously widely acclaimed for Whiplash and La La Land, has just come back with his third major studio film, First Man. A picture about space was not exactly[ . . . ]
American Animals
Existential vacuum is a subject that hits home with many film directors of the now quickly maturing generation X. Their interest in the age-old phenomenon, which tends to gain importance each[ . . . ]
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